By working with backlighting, silhouettes are created and details are blurred out and all fragments merge to become one big piece.
The paintings from 2002 show scenes of people within interiors, they are almost faceless and in conversation with each other. There are no boundaries between people and their surroundings. Light, colour and movement are basic elements of these works and by painting with expressive brush strokes and vibrant colours everything appears to be in motion.
Since the beginning of 2015, I have taken up the same theme again. I am still interested in working with silhouettes and shapes which occur when reducing details. I work with monoprint, for me it is another way to paint and I find it surprising what comes out. The process of working in many layers makes these works substantial and gives them a personal handwriting.